Unnisbis/Selected work/Commercial AI Image & Video

Selected work / Commercial AI Image & Video

Advertising, produced with AI — run like a real shoot.

Campaign films and images built with controlled AI: we cast the models, choose the wardrobe, set the mood and light, and revise like any ad project — so the client keeps full control of the final look.

From an empty stage to a seamless film, from a single building render to a finished print ad — below, four commercial projects and how they were made.


Film · Short · July 2025

Le Petit Chemin

We all carry the path we once took to school — every corner, every shortcut. This project set out to see if AI could recreate the ordinary setup of small-town India: streets, uniforms, gestures instantly familiar to Indian viewers.

With AI it's easy to generate the fantastic or the surreal. The harder test is the mundane — the everyday details that make something believable. It became an exercise in consistency across characters, clothing and location, pushing AI to hold the thread of reality from frame to frame.

References & moodboard

Schoolboy in uniform reference.
Four boys in uniform on a wall.
Regina Martyrum High School building.
Barber shop reference.
Man in grey shirt reference.
Snake on leaves reference.
Barn owl on a post reference.
School ID card reference.

A few of the references collected — nostalgic, ordinary, instantly familiar.


TVC · Film · October 2025

Mille Plant Protein — TVC

A 40-second commercial built entirely from scratch with AI generation. The hard part was consistency: keeping the model's look, feel and identity identical across every frame of the full spot, so the film reads as one polished, seamless piece despite being fully AI-driven.


TVC · Film · October 2025

15-Second Finance Ad

Copying the ordinary is harder than inventing the extraordinary. A 15-second finance ad built entirely with AI — not flashy, not experimental, but precise to the smallest detail. The challenge was invisibility: to pass on television as just another commercial in the ad break. That seamlessness, that banality, is where the real technical difficulty lies.

Film · 15 seconds Video slot — drop the final MP4 here.

Print campaign · Real estate · July 2025

Sunteck — Print Ad

Developed for an upcoming real-estate project. At the start we had only a building render and a few beach photos — everything else, the models, the clothes, the styling, was created separately with AI. We ran it like a regular advertising assignment: casting, wardrobe and mood chosen so the client kept full control of the final look.

Final Sunteck print ad — a woman in an orange dress on a Mumbai beach at sunset with high-rises behind.
Final image. Built from an AI-generated model, a client-supplied dress, and a low-res building render integrated directly into the scene.
Client-supplied project render of a beachfront development.
Start — the client's building render + beach.
First AI draft — model in orange dress with the render integrated.
First draft — render integrated, lighting matched, kept natural and raw.
AI-generated model Anahita.
Anahita · AI model
AI-generated model Arun.
Arun · AI model
AI-generated model Yasmin.
Yasmin · AI model
Client-proposed orange dress.
Wardrobe · client dress
Client project render.
Project render
Second Sunteck visual — a couple on a yacht with the city skyline and beach behind.
Second visual — yacht shot, same method: AI cast, client wardrobe, render integrated, then revised for colour and body language.

Real ad-making, with AI in the pipeline.

Cast, wardrobe, mood and revisions — run the way a shoot is run, so the work is controlled, believable, and the client keeps the final say.